Educational Qualifications
Doctor of Philosophy Creative Arts University of Canberra, Completed in 2007 (Australia Postgraduate Award)
Post Diploma in Visual Arts L’École des Beaux-Arts, Marseille, France, Completed in 1999 (Ian Potter Foundation Grant)
Bachelor of Visual Art (Honours): Australian National University, Visual Art and Art Theory, L’École Nationale Supérieure des Beaux-Arts, Paris, France, Completed in 1996 (Telstra Scholarship)
Grants and Awards
2016-2019 | ARC Discovery, Understanding Australian in the Age of Humans, ($431,150.00)
2018-2020 | CDIP Industry and Community Engagement Fund (20,000)
2016 | HETI Health Education Training Institute ($20, 480)
2015 | Research Office Grant for ARC Discovery ($30,000)
2012-2014 | SyReNs The Sydney Network on Climate Change and Society ($360,000)
2012 | Regional Arts Development Fund (5,000)
2011 | Creative Development Grant, Wilderness Society (2,000)
2009 | Teaching and Research- Scholarship Grant, The University of Sydney (10,000)
2008 | Excellence in Teaching Award (2,000)
2003-2006 | Australian Postgraduate Award (Awarded PhD place and full scholarship) (90,000)
2000 | The Fluid Gene, Best Film, Electric Shadows Cinema (5,000)
2000 | Chihuly Inc, Creative Fund to curate and create, Seattle, USA (20,000)
1999 | Ian Potter Foundation Scholarship (to study at the Beaux-Arts in France) (2,000)
1999 | Masterworks in Glass, Commission, Australian National Gallery (3,000)
Exhibitions
2025 | SubAqueous, Australian National Maritime Museum, Sydney
2024 | Visualising the Anthropocene, 25-meter crescent-shaped screen in the Grand Foyer, Star
2017 | Das letzte Riff, Exo-Evolution, The New Event in the Digital Age, GLOBAL, ZKM, Centre for Art and Media, Germany
2016 | D16, Sydney University, Sydney
2016 | PTOLEMi, Vivid Festival of Light, Music and Ideas, Sydney, Australia
2015 | InterCellular, Vivid Festival of Light, Music and Ideas, Australia
2015 | Drone Yoga, Vivid Festival of Light, Music and Ideas, University of Sydney, Australia
2015 | Reefs on the Edge, Trinity College, Dublin, Ireland
2015 | DesignInk Ecology, World Environment Day, Vivid Festival, Sydney
2015 | To See the Sea, Vivid Festival of Light, Music and Ideas Central Park, Sydney
2014 | Mind Paintings, Central Park, Sydney, Australia
2014 | 7mm Pitch, Central Park, Sydney, Australia
2013 | Euphonious Mobius, Vivid Festival, Sydney
2013 | Earth, Water, Fire, Ice, Culture at Work, Sydney, Australia
2012 | Underwater Abstraction: WerkStad, Berlin, Germany
2012 | Reefs on The Edge, Verge Gallery, Sydney, Australia
2012 | Underwater Abstraction: ANCA Gallery, Canberra, Australia
2012-13 | Reefs on the Edge: McLeay Museum, University of Sydney, Australia
2010 | InterANTARCTICA: The Tasmanian Museum and Gallery, Hobart, Australia
2010 | InterANTARCTICA: Performance Space, Carriage Works, Sydney, Australia
2009 | InterANTARCTICA: Canberra School of Art Gallery, ANU, Australia
2009 | InterANTARCTICA: Tin Sheds, The University of Sydney, Australia
2006 | Islamic Intertext, National Museum of Australia, Australia
2006 | Islamic Intertext, Canberra Visual Art Space, Canberra Contemporary Art Space, Australia
2006 | Killing Snow Woman, M16 Art Gallery, Canberra, Australia
2005 | Edible Audience, Liquid Architecture 6, Australian National Gallery, Australi
Selected Journal & Book Chapters
2022 | Rui, Z., Gu, Z., de Bérigny C., Meditation based brain painting promoting foreign language memory through establishing a brain-computer interface, Information and Communication Technology in Education, International Conference on Information and Communication Technology in Education.
2019 | Niranjika Gunaratne & De Berigny, C. Breathing Spaces: International Journal of Arts and Humanities, November, Volume 7, Number 10.
2018 | Rebekah, Araullo, De Berigny, C, Gough, P. Form and Media to Convey Coral Bleaching in the Great Barrier Reef, International Journal of Arts and Humanities, Volume 7, Number 10,
2017 | Sladescu, M. de Berginy C., Hill, Glen Architecture for Regenerating Living Ecosystems: Designing a clay module for a vaulted dome structure, The Design Journal, Taylor and Francis, (accepted and forthcoming).
2016 | P Gough, Dunn, K, de Bérigny, Promoting Climate Change Awareness through Environmental Education, Sea Trust Institute, USA
2016 | de Bérigny C, Zinovieff, F., Cockrane, K., Kim, Y., Rui, Z, EEG and Sonic Platforms to Enhance Mindfulness, International Journal of Arts and Humanities, Vol 5, No 9, September, pages 1-12, http://www.theartsjournal.org/index.php/site/article/view/1012
2014 | de Bérigny C, P Gough, Felah M & Woolsey, E. Tangible User Interface Design For Climate Change Education & Interactive Installations, Leonardo, Peer Reviewed, Vol. 47., No. 5, MIT Press. 1st author.
2013 | de Bérigny C, M, Faleh, (Re) Creating Lively Cities through Ambient Technologies: Arts, Culture, and Gastronomic Experiences, INTERACT 2013, published peer-reviewed.
2012 | de Bérigny C, G. Wu & P Gough, Precursor to New Forms of Transmedia Based Art, International Journal of Technoetic Arts, Volume 9, issue 1.
2011 | de Bérigny C and E Woolsey, Climate Change, The International Journal of Climate Change, published refereed journal article, 1st Author, Rio.
2009 | de Bérigny, C., & Wang, X., InterANTARCTICA, The International Journal of Virtual Reality, 8(1): 17-26, First Author.
2007 | de Bérigny, C. 'Hijacking Documentary into Installation Art', Hyperrhiz: New Media Cultures, Vancouver, Canada, Issue 3, Summer, (solo authored journal article),
2007 | de Bérigny, C. Hijacking the UnAustralian: Islamic Intertext, Continuum: The Journal of Media and Cultural Studies, Vol. 21, No. 4, p. 517-519, December.
Selected Conference Papers
2018 | Cochrane, K, Loke, L, de Bérigny, Campbell, A, Sounds in the moment: designing an interactive EEG nature soundscape for novice mindfulness meditators, Conference: the 30th Australian Conference, published peer-reviewed conference paper, 3rd author.
2017 | de Bérigny, C. Reinhart, D., Fay, N. Reimaging Coral Reefs: Remodelling Biological Data in the Design Process, ISEA I 23rd International Symposium on Electronic Art, University of Caldas, Manizales, Colombia, 1st author.
2017 | Loke, L. de Bérigny, Kim, Y. C. Cockrane, C. .Nunez-Pacheco, C. Visualising the Meditating Mind, ISEA I 23rd International Symposium on Electronic Art, University of Caldas, Manizales, Colombia, 2nd author.
2015 | de Bérigny C, Felah, M & Zinovieff, F. Mindfulness, Media Façades: Augmenting Urban Locations through Interaction, 20th International Symposium on Electronic Art (ISEA), Dubai, United Arab Emeritus 1st author.
2014 | De Bérigny, C. Felah M. The Jorn Utzon Architectural Paradigm and the Emerging World Design Experience, The Fourth International Utzon Symposium, Sydney, published peer-reviewed conference proceedings, 1st author.
2014 | de Bérigny, C. Felah, M. Revitalizing Urban Spaces and Cities through Ambient Technologies, International Conference on Arts and Humanities, published peer-reviewed conference proceedings, Hawaii, USA, 1st author.
2012 | de Bérigny C, G. Wu, A Pratomo & P Gough, Communicating Scientific Knowledge via Data Visualisation in a Transmedia Based Installation Artwork, The Hawaii International Conference on Arts and Humanities, Fourth Author, Hawaii, USA, 1st author.
2011 | de Bérigny C, G. Wu & P Gough, Multiple-Channel Video Installation as a Precursor to New Forms of Transmedia Based Art, International Conference on Virtual Reality and Visualisation), 3rd Author, China.
2010 | de Bérigny, C., & Tomitsch, M., InterANTARCTICA: Making Climate Change Tangible, 8th International Conference on Arts and Humanities, published peer-reviewed conference proceedings, First Author, Honolulu, Hawaii.
2009 | de Bérigny, C., & Wang, X., InterANTARCTICA: Tangible User Interface for Museum Based Interaction, The International Journal of Virtual Reality, 2009, 8(1): 17-26, First Author.
2008 | De Bérigny, C. & Wang, X. Interactive Antarctic: A Museum Installation based on an Augmented Reality System, International Conference on Digital Interactive Media in Entertainment, published peer-reviewed conference proceedings, Athens Information Technology (AIT) Center of Excellence for Research, First Author, Athens, Greece.